Overview
Foreword
Essays
Artists
Videos
Venues
Acknowledgements
Looking Glass—
Judy Watson and Yhonnie Scarce
Artists: Judy Watson Yhonnie Scarce
Curated by Hetti Perkins, Looking Glass is an important and timely exhibition which brings together two of Australia’s most acclaimed contemporary artists—Waanyi artist, Judy Watson and Kokatha and Nukunu artist, Yhonnie Scarce.At its heart, the exhibition is both a love song and a lament for Country; a fantastical alchemy of the elemental forces of earth, water, fire and air. Watson’s ochres, charcoal and pigments, pooled and washed upon flayed canvases, have a natural affinity and synergy with Scarce’s fusion of fire, earth and air. Watson and Scarce express the inseparable oneness of Aboriginal people with Country, a familial relationship established for millennia.
Together these artists offer a far-ranging and holistic portrait of Country where the creation and experience of art recalls the lived, remembered and inherited history of Aboriginal people. Yet, while their works may refer to specific events, their enigmatic and often intimate forms, gestures and marks also imply an immersive timelessness outside of a linear chronology; an existence today that is more than the ‘now’. Colloquially, this is often referred to as the Dreaming, an extraordinary perception of the connection of Country, community and culture.
Watson and Scarce, like all Indigenous Australians, share recent and personally painful histories of the destruction, exploitation and degradation of not only the land, but the people of the land. Essentially, this exhibition is about Australia’s secret and dirty war—a battle fought on many fronts from colonial massacres to Stolen Generations, from the Maralinga bomb tests to the climate emergency. In their works, the artists poignantly remind us how the pursuit of the Great Australian Dream is not what it seems. It is, in reality, a nightmare, a shimmering mirage, a candle in the coming storm.
Looking Glass is organised by TarraWarra Museum of Art and Ikon Gallery with Curator Hetti Perkins. Touring nationally with NETS Victoria.
This project has been assisted by the Australian Government’s Visions of Australia program, is supported by the Victorian Government through Creative Victoria, as well as receiving development assistance from NETS Victoria’s Exhibition Development Fund 2019, supported by the Victorian Government through Creative Victoria, and by Creative Partnerships Australia through the Australian Cultural Fund.
Venues
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TarraWarra Museum of Art
28.11.20 – 08.03.21 -
Flinders University Art Museum & City Gallery
26.04.21 – 02.07.21 -
Queensland University of Technology Art Museum
18.03.22 – 19.06.22 -
Plimsoll Gallery, School of Creative Arts, University of Tasmania
23.07.22 – 30.08.22 -
Latrobe Regional Gallery
19.11.22 – 12.03.23 -
Mildura Arts Centre
17.06.23 – 06.08.23 -
Wangaratta Art Gallery
26.08.23 – 22.10.23
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Judy Watson standing stone, kangaroo grass, red and yellow ochre 2020
Acrylic and graphite on canvas
250 x 181.5 cm
Courtesy of the artist and Milani Gallery, Brisbane
Photograph: Carl Warner -
Judy Watson standing stones, gumbi gumbi, stone tool 2020
Earth, graphite, pastel, acrylic, cotton on canvas
229.5 x 181 cm
Courtesy of the artist and Milani Gallery, Brisbane
Photograph: Carl Warner -
Judy Watson spot fires, our country is burning now 2020
Acrylic, pastel, graphite on canvas
194 x 181 cm
Courtesy of the artist and Milani Gallery, Brisbane
Photograph: Carl Warner -
Judy Watson standing stone, kangaroo grass, bush string 2020
Acrylic, graphite on canvas
246 x 181 cm
Courtesy of the artist and Milani Gallery, Brisbane
Photograph: Carl Warner -
Judy Watson resistance pins 2018
Cast bronze with patina finish
Dimensions variable
Courtesy of the artist and Milani Gallery, Brisbane
Photograph: Cian Sanders -
Judy Watson 40 pairs of blackfellows’ ears, lawn hill station part of salt in the wound 2008
Cast beeswax
Dimensions variable
Courtesy of the artist and Milani Gallery, Brisbane
Photograph: Andrew Curtis -
Yhonnie Scarce Only a mother could love them 2016
hand blown glass
25.0 x 15.0 cm diameter each (variable sizes - approx.)
Monash University Collection
Purchased by the Monash Business School 2017
Courtesy of Monash University Museum of Art
Courtesy of the artist and THIS IS NO FANTASY, Melbourne -
Yhonnie Scarce Fallout Babies 2016
blown glass, acrylic and found hospital cribs
dimensions variable
Collection of the artist
Courtesy of the artist and THIS IS NO FANTASY, Melbourne
Photo: Janelle Low -
Yhonnie Scarce Fallout Babies 2016
installation view, Strontium 90, THIS IS NO FANTASY, Melbourne, 2016
Courtesy of the artist and THIS IS NO FANTASY, Melbourne
Photo: Janelle Low -
Yhonnie Scarce Glass Bomb (Blue Danube) Series IV 2015
hand blown glass
20 x 60 x 20 cm
RMIT University Art Collection
Courtesy of the artist and THIS IS NO FANTASY, Melbourne
Photo: Stephanie Bradford -
Yhonnie Scarce Hollowing Earth (detail) 2016–17
blown and hot formed Uranium glass
dimensions variable
Collection of the artist
Courtesy of the artist and THIS IS NO FANTASY, Melbourne
Photo: Janelle Low -
Yhonnie Scarce Hollowing Earth (detail) 2016–17
blown and hot formed Uranium glass
dimensions variable
Collection of the artist
Courtesy of the artist and THIS IS NO FANTASY, Melbourne
Photo: Janelle Low -
Yhonnie Scarce Hollowing Earth (detail) 2016–17
blown and hot formed Uranium glass
dimensions variable
Collection of the artist
Courtesy of the artist and THIS IS NO FANTASY, Melbourne
Photo: Janelle Low