Overview
Introduction
Foreword
Preface
Essays-
‘Just doing and being’: Collective Movements and the Everyday Life of Indigenous Futurity
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Ghost Weaving Unconditional Love into Our Futures: Collective Movements of Sovereign Art
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Growing up Yorta Yorta, Spaces for Community and the Story of Kaiela Arts
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ILBIJERRI Theatre Company: Reflections
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It’s Not Just What We Learn, It’s About How We Learn It
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THE TREATERS’ DEAD
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‘Just doing and being’: Collective Movements and the Everyday Life of Indigenous Futurity
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Ghost Weaving Unconditional Love into Our Futures: Collective Movements of Sovereign Art
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Growing up Yorta Yorta, Spaces for Community and the Story of Kaiela Arts
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ILBIJERRI Theatre Company: Reflections
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It’s Not Just What We Learn, It’s About How We Learn It
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THE TREATERS’ DEAD
Collective Movements:—
First Nations Collectives, Collaborations and Creative Practices from across Victoria
Collective Movements: First Nations Collectives, Collaborations and Creative Practices from across Victoria is a wide-ranging project focusing on the work of historic and contemporary First Nations creative practitioners and community groups from across Victoria that recognises collectivity as integral to Indigenous knowledges and ways of being. An exhibition, publishing project, conversation and workshop platform, the project begins with the desire to make more visible a language and terminology beyond Western art concepts of ‘collaboration’ and ‘collectivism’—one that better describes and acknowledges the way Indigenous creatives work within a broader community and its inheritances.
Collective Movements will feature new artwork commissions alongside existing works, archives and participation from a range of contributors, including Ensemble Dutala, ILBIJERRI Theatre Company, Kaiela Arts, Koorroyarr, Latje Latje Dance Group Mildura, Pitcha Makin Fellas, the Possum Skin Cloak Story (founded by Vicki Couzens, Debra Couzens [1962–2021], Lee Darroch and Treahna Hamm), The Torch, this mob and a look back at We Iri, We Homeborn—Aboriginal and Torres Strait Islander Arts Festival (1996–99).
The exhibition will be accompanied by an Indigenous edited and designed publication that features new writing by seven leading First Nations artists, curators and writers, including Arlie Alizzi, Bryan Andy, Paola Balla, Belinda Briggs, Yaraan Bundle, Tiriki Onus and Steven Rhall. The Collective Movements publication is designed by Larrakia, Wardaman and Karajarri artist-designer, Jenna Lee. Additionally, conversations and workshops play a vital role in the project as platforms for the dissemination of the historic and contemporary models of creative practice through Indigenous voices. More details to be announced shortly.
Collective Movements is co-curated by Taungurung artist and curator Kate ten Buuren; Lardil and Yangkaal artist and curator Maya Hodge; and N’Arweet Professor Carolyn Briggs AM PhD; with support from Bundjalung, Muruwari and Kamilaroi artist and senior academic, Professor Brian Martin, Director of the Wominjeka Djeembana Indigenous Research Lab, Monash University. Collective Movements is a MUMA / NETS Victoria touring exhibition.
This project has been supported by the Victorian Government through Creative Victoria and the Australian Government through the Australia Council for the Arts, as well as receiving development assistance from NETS Victoria’s Exhibition Development Fund, supported by the Victorian Government through Creative Victoria.
Artists: Ensemble Dutala ILBIJERRI Theatre Company Kaiela Arts Koorroyarr Latje Latje Dance Group Mildura Pitcha Makin Fellas Mitch Mahoney (Boon Wurrung) Possum Skin Cloak Story The Torch this mob We Iri, We Homeborn Aboriginal and Torres Strait Islander Arts Festival
Curators
Kate ten Buuren, Maya Hodge and N’Arweet Professor Carolyn Briggs AM PhD with advice from Professor Brian Martin.
Exhibition Identity Design
Jenna Lee
Venues
Exhibition Partners
Exhibition Supporters
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Kaiela Arts Clay moulds used to create Midden 2016
by Jack Anselmi and Aunty Cynthia Hardie, tools for clay work and weavings in progress.
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Kaiela Arts Clay moulds used to create Midden 2016
by Jack Anselmi and Aunty Cynthia Hardie, tools for clay work and weavings in progress.
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We Iri, We Homeborn Aboriginal and Torres Strait Islander Arts Festival
We Iri, We Homeborn Aboriginal and Torres Strait Islander Arts Festival display featuring printed material from the festivals, press coverage and video by Kimba Thompson, We Iri, We Homeborn (We of This Land) 1996
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We Iri, We Homeborn Aboriginal and Torres Strait Islander Arts Festival
We Iri, We Homeborn Aboriginal and Torres Strait Islander Arts Festival display featuring printed material from the festivals, press coverage and video by Kimba Thompson, We Iri, We Homeborn (We of This Land) 1996
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Koorroyarr yoonggama—to give and receive 2022
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Possum Skin Cloak Story Baby Possum Skin Cloak 2009–10
Treahna Hamm, Baby Possum Skin Cloak
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Possum Skin Cloak Story Possum Skin Children’s Cloak Number Three 2013
Children in workshops with Vicki Couzens, Aunty Esther Kirby and Maree Clarke
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Pitcha Makin Fellas Why Don’t Whitefellas Like Trees? 2022
Installation view, Collective Movements, Monash University Museum of Art, Melbourne, 2022. Photo: Christian Capurro
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Ensemble Dutala Our Place 2022
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Ensemble Dutala Our Place 2022
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Ensemble Dutala Our Place 2022
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Latje Latje Dance Group Mildura Latje Latje Dance Group Mildura display
Pinboard: Latje Latje dancers at a Bangarra Dance Theatre workshop, Mildura, 1980s (3 black-and-white photos); Dancers laying on ground spelling out ‘Latje’, 1980s; Latje Latje Dance Group Mildura Family and Friends Concert program, 1997. All courtesy of Sonja Hodge and the estate of Peter Clarke, Mildura. Opposite: Latje Latje Dance Group Mildura T-shirt designed by Peter Clarke
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this mob Gunyah Manu (Home Camp) 2022
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ILBIJERRI Theatre Company Collection of posters from ILBIJERRI Theatre Company 1990–2018