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Artist

Yhonnie Scarce

Yhonnie Scarce was born in Woomera, South Australia, and belongs to the Kokatha and Nukunu peoples. Her interdisciplinary practice explores the political nature and aesthetic qualities of glass and photography. Scarce’s work often references the ongoing effects of colonisation on Aboriginal people; in particular her research has explored the impact of the removal and relocation of Aboriginal people from their homelands and the forcible removal of Aboriginal children from their families. Family history is central to Scarce’s work, drawing on the strength of her ancestors, she offers herself as a conduit, sharing their significant stories from the past.

Scarce was recently announced as the winner of the prestigious Yalingwa Fellowship, 2020, and was selected for the National Gallery of Victoria’s Architecture Commission, 2019. In 2018, Scarce was the recipient of the Kate Challis RAKA award for her contribution to the visual arts in Australia, as well as the Indigenous Ceramic Award from the Shepparton Art Museum.

Recent international exhibitions include Paris Photo, Paris, France; Pavilion of Contemporary Art, Milan, Italy; Museum London, Ontario, Canada. Previous international shows include the National Gallery  of Modern Art, New Delhi, India, 2018; 55th Venice Biennale collateral exhibition Personal Structures, 2013, Venice; Galway Art Centre, Ireland, 2016; Harvard Art Museum, Massachusetts,  2016; Kluge-Ruhe Aboriginal Art Museum, Virginia, USA, 2012.

Scarce was curated into the 2020 Adelaide Biennial at the Art Gallery of South Australia and has co-curated Violent Salt at Artspace Mackay, which will tour Australia until 2021. In 2018, Scarce was curated into major shows and public commissions throughout Australia, including the Biennale of Australian Art, Ballarat; Installation Contemporary, Sydney; the Australian Centre for Contemporary Art, Melbourne; National Gallery of Australia, Canberra; National Gallery of Victoria, Melbourne; and the Newcastle Art Gallery. Previous major shows include The National: New Australian Art 2017, Art Gallery of NSW, 2017; The 3rd National Indigenous Art Triennial, 2017; the 19th Biennale of Sydney, 2014; and a site-specific installation at the Art Gallery of South Australia as part of Tarnanthi Festival of Contemporary and Torres Strait Islander Art, 2016.

In 2012, Scarce held a residency and exhibited at the Kluge-Ruhe Aboriginal Art Museum, University of Virginia, USA and participated in Aboriginal art symposiums at Seattle Art Museum and the Hood Museum, New Hampshire.

Scarce’s work is held in major Australian public collections  including: National Gallery of Victoria; Art Gallery of South Australia; National Gallery Australia; Flinders University Art  Museum; Museum and Art Gallery of the Northern Territory; and the University of South Australia.