Overview
Foreword
Introduction
Essays
Artists
Venues
One Foot On The Ground—
One Foot In The Water
Nell, Mother of the Dry Tree (detail), 2017, acrylic paint and mixed media on linen, wood, 296.5 × 223 cm. Courtesy of the artist and STATION, Melbourne and Sydney. Photo: Jenni Carter
Artists: Catherine Bell Timothy Cook Richard Lewer French & Mottershead Mabel Juli Sara Morawetz Michael Needham Nell Patrick Freddy Puruntatameri Nawurapu Wunuŋmurra
At a time when many are experiencing complex feelings about the frailty of life and future uncertainty, this exhibition explores the subject of mortality and the inseparable link between life and death.
One foot on the ground, one foot in the water explores mortality as a state of transition, presenting processes of art making as a means of facing death collectively and individually.
The exhibition presents paintings, sculptures, installations and sound works, that challenge us to reckon with death and dying as an inherent part of life, invoking experiences of loss, impermanence, transience, remembrance, memorialisation and varied expressions of grief.
One foot on the ground, one foot in the water presents over 25 works of art, with scale ranging from a massive 3.3m cast-iron and steel monument by artist Michael Needham to 100 intricate handmade vessels crafted out of biodegradable florist foam by participants in Catherine Bell’s Facing Death Creatively workshops.
The contrast between vast and minute scales is echoed in the contrast between singular and repeated forms, and ephemeral and permanent materials, referencing the relationship between the universal and the individual, the eternal, the finite and states in between.
Each artist offers insight into the way we let go of the dead, or hold them close, as a continuing living presence in the world. Artworks and other objects can reflect these kinds of present–absences, allowing the departed to continue to resonate in our memory, and in objects that outlive them.
One Foot on the Ground, One Foot in the Water is accompanied by a fully illustrated catalogue featuring six newly commissioned texts by Yinimala Gumana, Mabel Juli, Wukun Wanambi and Pedro Wonaeamirri.
One foot on the ground, one foot in the water is a La Trobe Art Institute exhibition toured by NETS Victoria. Curated by Travis Curtin.
This exhibition has been assisted by the Australian Government through the Australia Council for the Arts,
its arts funding and advisory body, as well as receiving development assistance from NETS Victoria’s Exhibition Development Fund, supported by the Victorian Government through Creative Victoria.
-
Catherine Bell Final resting place (installation detail) 2018–20
100 vessels hand-carved from floral foam, 100 digital photographs, digital photo display installation
dimensions variable
Courtesy of the artist and Sutton Gallery, Melbourne. © the artist
Photographer: Ian Hill -
Nell Mother of the Dry Tree 2017
acrylic paint and mixed media on linen, wood
296.5 × 223 cm
Courtesy of the artist and Station Gallery, Sydney & Melbourne. © the artist -
Richard Lewer Crucifixes (detail) 2018
fired stoneware installation
dimensions variable
Courtesy of the artist and Hugo Michell Gallery, Adelaide. © the artist
Photographer: Ian Hill -
Nawurapu Wunuŋmurra Garrapara (detail) 2012
natural earth pigments on stringybark
292 × 17.5 × 16 cm
Courtesy of La Trobe University Art Collection. © the artist
Purchased 2013, LTU2458 -
Michael Needham Monument to Muther [sic] 2020
steel, cast iron, epoxy resin, enamel, electric candle lights, sand, artificial flowers
330 × 100 × 120 cm (monument)
Installation view, La Trobe Art Institute, 2020
Courtesy of the artist. © the artist
Photograph: Ian Hill -
Sara Morawetz March 17 (detail) 2020
artist’s book (accordion fold) artist’s proof from an edition of 32 plus 3 artist’s proofs
24.1 × 315 cm (fully extended), 24.1 × 24.1 × 0.6 cm (closed)
Courtesy of the artist. © the artist
Photographer: Sara Morawetz -
Mabel Juli Garnkiny Ngarranggarni 2020
natural earth pigments and charcoal on linen
120 × 180 cm
Courtesy of the artist and Warmun Art Centre, Western Australia. © the artist
Photographer: Ian Hill -
Timothy Cook Kulama 2014
natural earth pigments on linen
183 × 243 cm
Arthur and Suzie Roe Collection -
French & Mottershead Grey Granular Fist 2017
chair, sensor, audio player, directional speaker, sound: 24 mins
dimensions variable
Courtesy of the artists. © the artists
Photograph courtesy of the Wellcome Collection -
Patrick Freddy Puruntatameri Purukuparli / Waiyai 2020
natural earth pigments on ironwood, cockatoo feathers
98 × 14.5 × 12.5 cm and 93 × 14.5 × 22 cm
Courtesy of the artist and Jilamara Arts and Crafts Association, Milikapiti -