Overview
Foreword
Welcome
Artists
Curators
Essays
Venues
Acknowledgements
Videos
Craftivism—
Dissident Objects and Subversive Forms
Artists: Penny Byrne Debris Facility Pty Ltd Erub Arts Catherine Bell Karen Black Starlie Geikie Michelle Hamer Kate Just Deborah Kelly Ramesh Mario Nithiyendran Raquel Ormella Kate Rohde Slow Art Collective Tai Snaith Hiromi Tango James Tylor Jemima Wyman Paul Yore
Craftivism. Dissident Objects and Subversive Forms presents the work of 18 contemporary Australian artists who utilise craft based materialities with a political intent. Broadening our understanding of craft-making traditions, the artists in this exhibition subvert and extend these forms into the realm of activism and social change, reflecting on the world in which we live. While some respond directly to artistic or political movements, others encourage social connection between community members or require participatory activation through collective processes. Drawing on a long historical lineage, Craftivism. Dissident Objects and Subversive Forms enables viewers to rethink craft in a new light.
The exhibition is accompanied by a fully illustrated catalogue featuring a curatorial introduction and three commissioned texts by David Cross, Jessica Bridgfoot and Amelia Winata.
Learning Guides
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Catherine Bell Crematorium vessels 2012-2013
floral foam vessels
installation: 19 x 93 x 17 cm
© the artist, courtesy the artist and Sutton Gallery, Melbourne
Photo: Andrew Curtis -
Karen Black Temporary arrangement – yellow in 3 parts 2017
earthenware, glaze, human hair, cotton, embroidery thread
dimensions variable
© the artist, courtesy the artist, Sutton Gallery, Melbourne and Sullivan+Strumpf, Sydney / Singapore
Photo: Christian Capurro -
Penny Byrne #EuropaEuropa 2015
antique porcelain serving platter, vintage porcelain figurines, epoxy putty, epoxy resin, enamel paints
26 x 50 x 41 cm
Darebin Art Collection
© Penny Byrne / Copyright Agency, 2018
Photo: Angela Bailey -
Debris Facility Production Displacement 2018 - 2020
rubber, plastic, aluminium, sterling silver, vinyl, magnets, rope, stainless steel, clasps, Perspex, epoxy, pigment, perforated adhesive vinyl, photographic prints, printed
polyester mesh
dimensions variable
Shepparton Art Museum Collection
© Debris Facility Pty Ltd
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Erub Arts Ghost net vessel 2016
Emma Gella
ghost net, twine
30 x 13 cm (diam.)
© the artist, courtesy the artist and Erub Arts
Photo: Lynnette Griffiths -
Erub Arts Ghost net vessel 2016
Jimmy John Thaiday
ghost net, twine
29 x 14 cm (diam.)
© the artist, courtesy the artist and Erub Arts
Photo: Lynnette Griffiths -
Erub Arts Ghost net vessel 2016
Lavinia Ketchell
ghost net, twine
30 x 14 cm (diam.)
© the artist, courtesy the artist and Erub Arts
Photo: Lynnette Griffiths -
Erub Arts Ghost net vessel 2016
Nancy Naawi
ghost net, twine
31 x 14 cm (diam.)
© the artist, courtesy the artist and Erub Arts
Photo: Lynnette Griffiths -
Starlie Geikie Rapala, Standard, Tiles, Pennant, Ensign, We were river people 2012 - 13
© the artist, courtesy the artist.
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Michelle Hamer Full. Stop. 2017
mixed yarn on perforated plastic
52.5 x 67 cm
© the artist, courtesy the artist -
Kate Just Feminist Fan #1 (PUSSY: Casey at the Melbourne Pussy Riot Protest, 2012) 2015
hand-knitted wool and acrylic yarns, canvas, timber
38.1 x 50.8 cm
© the artist, courtesy the artist
Photo: Simon Strong -
Deborah Kelly LYING WOMEN 2016
digital video, 16:9 ratio, colour, stereo, 3:56 minutes
Cinematography by Christian J Heinrich
Editor: Elliott Magen
Original score composed by Evelyn Ida Morris
Soundscape: Adam Hulbert
© the artist, courtesy the artist -
Ramesh Mario Nithiyendran Pewter dickhead 2 2015
earthenware, glaze, gold and platinum lustre
100 x 49.5 x 41 cm
Recipient of the 2015 Sidney Myer Fund Australian
Ceramic Award
Shepparton Art Museum Collection, © the artist -
Raquel Ormella Blockade in my studio for the Pilliga Forest #1 2018
cloth-backed embroidery
150 x 90 cm
© the artist, courtesy the artist and Milani Gallery, Brisbane -
Tai Snaith A world of her own (Dramatic assemblage, Loose knit, Known history) 2018
glazed stoneware, porcelain, bronze
dimensions variable
© the artist, courtesy the artist -
Hiromi Tango Amygdala (Fireworks) 2016
neon and mixed media
120 x 140 x 40 cm
© the artist, courtesy the artist and Sullivan+Strumpf, Sydney / Singapore -
James Tylor Un-resettling (Stone tidal fish trap) 2018
hand-coloured digital print
50 x 50 cm
© the artist, courtesy the artist, Vivien Anderson Gallery, Melbourne and GAG Projects, Adelaide -
Jemima Wyman Propaganda patchwork 2016
textile
205 x 205 cm
© the artist, courtesy the artist, Sullivan+Strumpf, Sydney / Singapore and Milani Gallery, Brisbane -
Paul Yore Art is language 2017
mixed media: textile, beads, sequins, buttons,
marker pen
108 x 106 cm
Purchased with funds from the L J Wilson Bequest,
the Gordon Victor King Bequest and the Sir Wilfred
Brookes Charitable Foundation, 2017
Art Gallery of Ballarat Collection, © the artist -
Slow Art Collective Archiloom 2018
yarn, rope, bamboo, recycled fabric, cable ties, scaffolding.
Dimensions variable.
Courtesy the artists.
Installation View: Mornington Peninsula Regional Gallery, presented in Craftivism. Dissident Objects and Subversive Forms, a Shepparton Art Museum curated exhibition, toured nationally by NETS Victoria 2019-2021. -
Erub Arts Ghost net vessels
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Raquel Ormella Blockade in my studio for the Pilliga Forest #1 and #2 2018
cloth-backed embroidery
150 x 90cm
Courtesy of the artist and Milani Gallery, Brisbane -
Penny Byrne #EuropaEuropa 2015
antique porcelain serving platter, vintage porcelain figurines, epoxy putty, epoxy resin, enamel paints
26 x 50 x 41 cm
Darebin Art Collection -
Michelle Hamer On the Road to Nowhere, Full. Stop., Imploding Explosions 2017
mixed yarn on perforated plastic
67 x 104 cm, 52 x 67 cm, 66 x 101 cm
Courtesy the artist