Overview
Foreword
Welcome
Artists
Essays
Venues
Videos
Acknowledgement
I hope you get this—
Raquel Ormella
Raquel Ormella, I'm worried this will become a slogan (Xanana Gusmao) (detail) 1999-2009 double-sided banner, sewn wool and felt, 128 x 202 cm Courtesy the artist and Milani Gallery, Brisbane, © the artist
This exhibition brings together new and recent work by one of Australia’s leading contemporary artists, Raquel Ormella.
I hope you get this: Raquel Ormella includes work from a wide variety of media, and particularly draws on her experimental textile works. The exhibition explores key themes that Ormella has consistently focused on: social and environmental activism; human and animal relationships; nationalism and national identity.
These recurrent interests are brought together by a consistent engagement with the artist’s voice. Rather than being the site of authority, Ormella’s voice simultaneously expresses aspiration for connection, while remaining uncertain about whether the communication will work.
The exhibition is accompanied by a fully illustrated catalogue featuring a curatorial introduction commissioned texts by Kyla McFarlane and Reuben Keehan
A NETS Victoria and Shepparton Art Museum touring exhibition, curated by Rebecca Coates and Anna Briers.
This project has been assisted by the Australian Government’s Visions of Australia program as well as receiving catalogue funding through the Gordon Darling Foundation, and development assistance from NETS Victoria’s Exhibition Development Fund, supported by the Victorian Government through Creative Victoria.
Learning Guides
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Wild rivers: Cairns, Brisbane, Sydney (detail) 2008
4 whiteboards, thermal paper, Texta marker pens dimensions variable
Monash University Collection. Purchased 2008
© the artist
(Only exhibited at Shepparton Art Museum) -
Wild rivers: Cairns, Brisbane, Sydney 2008
4 whiteboards, thermal paper, Texta marker pens
(Image of Wenlock River by Kerry Trapnell, with kind permission) dimensions variable
Monash University Collection. Purchased 2008
© the artist
(Only exhibited at Shepparton Art Museum) -
The Australian November 13 2003 p.5 (detail) 2004
pen on paper
58 x 39.7 cm
Private collection
© the artist
Photo: Christian Capurro -
Sydney Morning Herald January 14 2004
p.5 2004 pen on paper
58 x 39.7 cm
Private collection
© the artist
Photo: Christian Capurro -
City without crows (details) 2018
digital prints, three-channel video, found objects dimensions variable
Courtesy the artist and Milani Gallery, Brisbane © the artist -
City without crows (details) 2018
digital prints, three-channel video, found objects dimensions variable
Courtesy the artist and Milani Gallery, Brisbane © the artist -
I’m worried this will become a slogan (Xanana Gusmao) 1999–2009
double-sided banner, sewn wool and felt128 x 202 cm
Courtesy the artist and Milani Gallery, Brisbane
© the artist -
I’m worried this will become a slogan (Xanana Gusmao) 1999–2009
double-sided banner, sewn wool and felt128 x 202 cm
Courtesy the artist and Milani Gallery, Brisbane
© the artist -
I’m worried this will become a slogan (Paul Kelleher) 1999–2009
double-sided banner, sewn wool and felt
128 x 202 cm
Courtesy the artist and Milani Gallery, Brisbane
© the artist -
I’m worried this will become a slogan (Paul Kelleher) 1999–2009
double-sided banner, sewn wool and felt
128 x 202 cm
Courtesy the artist and Milani Gallery, Brisbane
© the artist -
Poetic possibility #1 2012
reworked flag, cotton, metal
200 x 240 cm
Campbelltown City Council Collection © the artist -
This dream 2013
nylon
150 x 210 cm
Collection Art Gallery of New South Wales, Sydney Rudy Komon Memorial Fund 2013
© the artist -
Return to the beginning 2013
nylon
250 x 375 cm
Collection of The University of Queensland. Purchased 2014 © the artist
(Only exhibited at Shepparton Art Museum) -
New constellation #1 2013
reworked flag, cotton, metal
250 x 348 cm
Courtesy the artist and Milani Gallery, Brisbane © the artist -
Golden soil #3 2016
acrylic, hi-vis fabric and poly-cotton
186 x 186 cm
Courtesy the artist and Milani Gallery, Brisbane © the artist
Photo: David Paterson -
Wealth for toil #1 2014
nylon, acrylic and glitter on hessian 325 x 260 cm
QUT Art Collection. Purchased 2017 © the artist -
Wealth for toil #5 2017–18
charcoal, acrylic paint, hessian
220 x 270 cm
Courtesy the artist and Milani Gallery, Brisbane © the artist
Photo: David Paterson -
Workers blues #1 2016
work uniforms, hi-vis fabric, cotton 140 x 140 cm
Sunshine Coast Art Collection
© the artist -
Settler economies #1 2017
hi-vis ribbon, poly-cotton, cotton work trousers and shirts 180 x 180 cm
Courtesy the artist and Milani Gallery, Brisbane
© the artist -
Settler economies #2 2017
hi-vis ribbon, poly-cotton, cotton work trousers and shirts 300 x 261 cm
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
All these small intensities (details) 2017–18
silk and cotton embroidery thread on linen and Perspex dimensions variable
Courtesy the artist and Milani Gallery, Brisbane
© the artist
Photo: David Paterson -
Raquel Ormella in her ANCA studio, Canberra, April 2018
Photo: Andy Mullens