NETS Victoria Board of Management
Director Visual Arts Program, Asialink
Sarah Bond is the Director of the Visual Arts Program at Asialink, the University of Melbourne. Since late 2005, she has been responsible for the development and management of the Asialink Touring Exhibition Program and the arts residency program. She is an advisory member to various organisations including the City of Melbourne Public Laneways Commission and the South Project. Sarah has worked in the Australian visual arts/crafts and museum sector for over a decade as an administrator (Museums Australia (Vic) 1998-2000) and curator (Craft Victoria 2000-2005) . She is a regular contributor to contemporary Australian art and craft magazines and journals. She has a Postgraduate Diploma in Art Curatorship/ Museum Management from the University of Melbourne and BFA (Art History/ Sculpture) from Victorian College of the Arts.
Melbourne-based sculptor John Meade is one of Australia’s leading artists and has held regular individual and group exhibitions with galleries and museums since 1995. Selected solo exhibitions include: Show Business (2009), Sutton Gallery, Melbourne andIncident in the Museum 2 (2004) Monash University Museum of Art, Melbourne, Propulsion at the Art Gallery of New South Wales, Sydney, and the Australian Centre for Contemporary Art, Melbourne (2001). John Meade’s work is held in the Monash University Collection; Museum of Contemporary Art; Heide Museum of Modern Art and National Gallery of Victoria as well as private and corporate collections.
Chief Finance Officer, Baillie Asset Management Limited
Ben Macauley is the CFO of Baillie Asset Management Limited, a privately owned funds management company that is responsible for the management of targeted investments in a manner that is co-aligned with the interests of the select group of clients it represents. Ben has worked across the banking and finance industry for over 20 years in Sydney, Melbourne and London. He is a CPA qualified accountant and holds a Bachelor of Business in Accounting from the University of Technology, Sydney.
Catherine Pierce has a general commercial practice with a particular focus on banking and finance, bankruptcy, insolvency and corporations and securities matters. Before coming to the Bar, Catherine worked as a solicitor in Hong Kong where she advised in relation to cross border insolvency and corporate and financial restructuring, including the liquidiation of Lehman Brothers companies based in Hong Kong and China. Whilst practising in Hong Kong, Catherine also advised in relation to multi-jurisdictional securities enforcement, trust disputes and shareholder and partnership disputes. Prior to this, Catherine was a Senior Associate at Madgwicks where she practised in commercial litigation, including advising on insolvency and restructuring and instructing in trials in the Federal Court of Australia and in the Victorian Supreme, County and Magistrates’ Courts as well as in the Victorian Civil and Administrative Tribunal. Catherine has also worked for many years as an interpreter in English, French and Mandarin Chinese.
Director, Horsham Regional Art Gallery
After beginning his training at Geelong Gallery in 1998, Adam Harding was Assistant Curator at Warrnambool Art Gallery. In 2007 he moved to Horsham Regional Art Gallery (HRAG) as Curator, and was appointed Director in 2009. He has continued Horsham’s commitment to community engagement while reinterpreting the Gallery’s collection to focus on their three main areas of collecting; artworks and images of Horsham and the Wimmera, the Mack Jost Collection of Australian Art, and it’s nationally significant collection of Australian photography. Harding has been focusing on investigating modes of exhibition development and presentation that places the Gallery and the Wimmera as a site of production and collaboration. This is happening through partnerships with the Australian Centre of Contemporary Art, which saw contemporary artists work with community organisations such as the Natimuk Brass Band and the Natimuk Bowls Club, and the Lake Macquarie City Art Gallery and their project Life in your hands: the art of solastalgia, which saw works created within each touring venue’s community coming together for a national tour. Adam is currently working toward the redevelopment of HRAG.
Curator, Bunjil Place
Penny Teale has worked in museum and gallery positions since 1994 and has over ten years of experience working in commercial galleries. Teale is Curator at Bunjil Place. Prior to this appointment she worked at McClelland Gallery starting in 2003 as the inaugural McClelland Sculpture Survey co-ordinator. From 2004 onwards she has managed the McClelland Gallery permanent collection and has curated over 30 exhibitions including artist surveys of Lisa Roet, Louise Weaver, Augustine Dall’Ava, Geoffrey Bartlett and project exhibitions with Andrew Browne, Janet Laurence and Alex Seton. Teale has also curated the contemporary exhibitions, Double Vision which explored Realism in contemporary art, FX in Contemporary Photography considering the cinematic narrative in contemporary photography and co-curated with Robert Lindsay Spirit in the Land, an exhibition that explored the genre of landscape painting in Australian art. She is a graduate from Deakin University and the University of Southern Queensland.
Executive Director of Open House Melbourne
Emma is the Executive Director of Open House Melbourne and, like the organisation, she champions the city of Melbourne through its built environment.
Open House delivers a broad range of public programs that celebrate design and architecture in the built environment and inform people about the importance of urban diversity in the rapidly developing city. Open House aims to encourage civic pride and activism to ensure Melbourne remains a liveable and vibrant city for all.
Emma is also a founding partner of the Office for Good Design, a unique curatorial group that works with private organisations and major cultural institutions to realise their interest in design, architecture, and the broader creative industries.
Curator, Australian Art
National Gallery of Victoria
David Hurlston has worked for the National Gallery of Victoria (NGV) since 1993 and is currently employed as Curator, Australian Art. He has previously been employed by the NGV as Curator, Australian art exhibitions (2002-2007), Program Coordinator (1999-2002) and Access Gallery Curator (1993-1999). In 1985 Hurlston completed a Bachelor of Art in Fine Art at RMIT, majoring in ceramic sculpture, and in 1991 undertook post-graduate study in art curatorship at the University of Melbourne. He has curated a number of exhibitions for the NGV including, Yikwani: Contemporary Tiwi ceramics (2002-2003), Deborah Halpern: Angel (2006), Geoffrey Bartlett (2007) and Preserving the past, enriching the future: Hugh Williamson’s legacy (2008) and Ron Mueck (2010) Hurlston is Chair of the City of Maribyrnong’s Art Advisory Committee and a member of Arts Project Australia’s Exhibitions Committee.
Jan van Schaik
Architect, co-director of MvS Architects, researcher and lecturer at RMIT University
Jan van Schaik’s work focusses on the cultural and societal underpinnings of architecture, and the complex relationship between human beings and their environments. His collaborative approach to the design of public buildings; mixed use developments; strategic plans; feasibility studies; master-plans; secondary and tertiary education projects; adaptive reuse projects; exhibitions in major art galleries; buildings in sensitive ecological environments; and prototypical residential projects has received awards, and been published, both in Australia and internationally.
Jan has worked on projects on the east coast of China, Kuala Lumpur, and in most states of Australia. In regional Victoria he has specialised in leveraging creative practice to deliver resilience to communities and their economies. His experience includes past appointments as deputy chair of Gertrude Contemporary Art Spaces, chair of the City of Melbourne Creative Spaces working group and adviser to the Regional Arts Victoria’s Small Town Transformation project, and is a patron of West Space and ACCA.
Jan is the producer of the WRITING & CONCEPTS lecture series and publications which reflecting on the role that writing plays in the development of contemporary creative practice.